This 1902 statue, made of marble, on top of a
grotto, is situated in Virlogeux square, Riom. The sculptor is Henri Leon
Greber. A man tries to save his friend whose left arm is injured. Our photo was
taken from a low angle to give a dramatic effect. The fuzzy effect is our way
of symbolizing an event forgotten in the mists of time… There is a plaster cast
entitled "The Death of the Chief".
Henri-Léon Gréber (born in Beauvais in 1854,
died in Paris in 1941) is a French sculptor, engraver and ceramist. He was the
student of Antonin Mercie at the School of Fine Arts in Paris. He is the father
of the architect Jacques Gréber. He made many patriotic works, such as:
- 1880: La Résistance, a marble statue in Dijon
- 1900: L’industrie, a limestone statue at the Grand Palais in Paris
- 1913: statue of Emmanuel Frémiet in the Jardin des Plantes in Paris.
- 1919: Monument to the teachers from the Lycée François Truffaut who died in the war, Beauvais
- 1921: War memorial, Montreuil-sur-Mer
The statue is in Virlogeux square. A square is a
place for walking and relaxation in an urban setting (‘Irrespective of the more
or less extensive farms, we find in our cities smaller spaces, but which are
nonetheless a very important contribution from the perspective of aesthetics
and hygiene. Whenever the imperative necessities of circulation permit, all the
available seats are to be transformed into lawns and planted. In general, it
gives these places the name of squares’ according to The Good Gardener, 1947).
During the second half of the eighteenth
century, the triangular plot of one hectare was a mulberry nursery for rearing
silkworms. The planted area, on the outskirts of the boulevards, was, during
the revolutionary period, converted into a ground for country fairs where the
butchers of the city come to buy animals.
Then, from 1858 to 1868, it served as
a training ground for the nearby Vercingetorix
barracks. It was provisionally a landscaped garden for the visit of
Napoleon III on 5th July 1862 hence its name at the time of Square Napoleon. A few years later, it was
landscaped as we see it today (including the grotto and double basin with footbridge).
The triumphal arch, a First World War Memorial,
was added in 1923. The Dying Gaul and
La Marseillaise (1902) by Ernest
Dagonet (1856-1926) have a patriotic aim. The statue in Carrera marble of Narcissus
(1814) by Sébastien Caldelari was given to the City of Riom to decorate the
square.
In 2011 began a major clean-up of the square (the
chestnut, plum and maple trees were cut down and replaced by hawthorn, magnolia,
cherry and birch).
Interviews of local people about what they
think of the sculpture
An elderly person: “This statue is part of my daily life. I live next to this square. I
find it significant cultural heritage of our Auvergne. Artistically, it is well
done.”
A young person: “I like it! I want to be a soldier in the future, so I like this virile
statue!”
A student: “I
often go to this park, I have seen this statue and I think it’s really
horrible! I'm not interested in the heritage of the city of Riom because I find
that it’s an ugly city. I would prefer to live in New York (laughing)”.
A teacher: “This
statue is just amazing! I have already studied this statue with my pupils and
they adored studying this period of history! Moreover the park is quiet and
very beautiful! I often come to feed the pigeons in this park.”
We asked twenty other people if they liked the statue and if they thought it was well situated; the majority said yes. We also asked them if they knew about the history of the statue (sculptor, date, significance, etc.); the majority said they did not.
The soldier speaks...
The soldier speaks...
“Help, someone, help,
my friend is hurt! Marcus, don’t abandon me, Marcus! You taught me to fight, to be brave. Marcus, this war has no meaning
without you; you saved my life so many times. My friend, my protector, do not
die! Damn these Romans! Gergovia was our victory but Vercingetorix still needs us;
Caesar has sent two legions after us; we must keep fighting if we don’t want to
be made prisoners! I swear to you, Marcus, if you die, I will not mourn your
death, no, not until I have killed the Roman dog who has hurt you!”



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